Rather than creating an individualized and select culture of “Support for the Arts” in service to wealth and global marketplace values, we should be relentlessly challenging the institutionalized direct and indirect economic exploitation of artists and Their Immediate Communities.
The effective difference between support for the arts and support for artists universally mirrors precisely the economic difference between the most impoverished and the super-wealthy.
As most aspects of capitalism are found to be ultimately unsustainable so is the relative stability of artists or any group that perceives its existence dedicated to the line-item budget of government largesse. Free universal college and trade-school tuition and healthcare aren’t merely giveaways in a Socialist agenda, it is an address to poverty, a vital investment towards a stable workplace economy and the permanence of indigenous and self-sustaining communities rich in their own defined cultural values.
We live in a world tipped in a precarious balance. If the earth were to wobble off-course or alter its gravitational pull for one moment we’d fall flat on our faces in the dirt. If the average worldwide temperature were to rise permanently 10 or 20 degrees most of the landmasses we live on would soon be underwater. When CO2 emissions exceed the amount that the remaining forests can absorb efficiently, we will have poisoned the air we breathe. When we have sufficiently polluted the water table there’ll be nothing to drink but acid rain. The medical effects of contaminated food supply are already being felt.
We live in a culture of self-destruction and unsustainable consumption in which that what we refer to as “cultured” or culture such as the arts do not reconcile. We create not to grow or to pass along valuable information to subsequent generations, but to market. Values are reduced to their immediate profitable economic viability – a standard to which many artists in current society are fully complicit with no concept for an alternative.
Those multitudes of both large and microscopic cultures within our wholistic natural environment are reconciled with one another intrinsically. The various cultures with the living world outside of humanity are vitally interdependent. Sadly, and tragically, much of human culture believes itself to be dominant and independent of everything else. In the natural world, there is no dominant culture or culture that is independent of any other living organism. Likewise, socially in the human spectrum there is no community that is dominant or independent of any other community. We depend on one another whether we like it or not.
If artists are tasked with any tangible or constructive purpose it is to underscore this; to represent our chosen community in moral and life-sustaining cultural relationships to other communities within our complex growing environment. Creativity is only one aspect of human accomplishment. Preservation is all.